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Relevant bibliographies by topics / Their eyes were watching God (Hurston, Zora Neale) / Books
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Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023
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1
Their eyes were watching God: Notes. Lincoln, Neb: Cliffs Notes, 1995.
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2
Hubert,ChristopherA. Zora Neale Hurston's Their eyes were watching God. Piscataway, N.J: Research and Education Association, 1995.
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3
Harold, Bloom, ed. Zora Neale Hurston's Their eyes were watching God. New York: Chelsea House Publishers, 1987.
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4
Harold, Bloom, ed. Zora Neale Hurston's Their eyes were watching God. New York: Chelsea House, 2010.
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5
Harold, Bloom. Zora Neale Hurston's Their eyes were watching God. New York: Bloom's Literary Criticism, 2009.
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6
Cunningham, Sarah Bainter. Zora Neale Hurston's Their eyes were watching God: Teacher's guide. Washington, D.C: National Endowment for the Arts, 2008.
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7
Women's issues in Zora Neale Hurston's Their eyes were watching God. Detroit, MI: Greenhaven Press, 2012.
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8
A reader's guide to Zora Neale Hurston's Their eyes were watching god. Berkeley Heights, NJ: Enslow Publishers, 2010.
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9
Understanding Zora Neale Hurston's Their eyes were watching God: A student casebook to issues, sources, and historical documents. Westport, Conn: Greenwood Press, 1999.
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10
Choreographing the folk: The dance stagings of Zora Neale Hurston. Minneapolis: University of Minnesota Press, 2008.
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11
"Ah done been tuh de horizon and back": Zora Neale Hurston's cultural spaces in Their eyes were watching God and Jonah's gourd vine. Frankfurt am Main: P. Lang, 2011.
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12
The voices of African American women: The use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker. New York: P. Lang, 1998.
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13
The vernacular matters of American literature. New York, NY: Palgrave Macmillan, 2010.
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14
Randall, Mary Ella. Their Eyes Were Watching God: Notes. Wiley & Sons, Incorporated, John, 2004.
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15
Neale, Hurston Zora. Their eyes were watching God: Zora Neale Hurston. SparkNotes, 2014.
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16
Zora Neale Hurston Haiti And Their Eyes Were Watching God. Northwestern University Press, 2013.
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17
Harold, Bloom, ed. Zora Neale Hurston's Their eyes were watching God. New York: Bloom's Literary Criticism, 2008.
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18
Harold, Bloom. Zora Neale Hurston's Their Eyes Were Watching God. Chelsea House Publications, 1988.
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19
Harold, Bloom, ed. Zora Neale Hurston's Their eyes were watching God. Broomall, PA: Chelsea House, 1999.
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20
Supersummary. Study Guide: Their Eyes Were Watching God by Zora Neale Hurston. Independently Published, 2019.
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21
A, Wall Cheryl, ed. Zora Neale Hurston's Their eyes were watching God: A casebook. Oxford: Oxford University Press, 2000.
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22
Harold, Bloom. Their Eyes Were Watching God: Zora Neale Hurston (Bloom's Modern Critical Interpretations). Chelsea House Publishers, 2008.
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23
Their Eyes Were Watching God (MAXNotes Literature Guides) (MAXnotes). Research & Education Association, 1996.
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24
Wiener, Gary. Women's Issues in Zora Neale Hurston's Their Eyes Were Watching God. Greenhaven Publishing LLC, 2012.
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25
Wall,CherylA. Zora Neale Hurston's Their Eyes Were Watching God: A Casebook (Casebooks in Contemporary Fiction). Oxford University Press, USA, 2000.
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26
Wall,CherylA. Zora Neale Hurston's Their Eyes Were Watching God: A Casebook (Casebooks in Contemporary Fiction). Oxford University Press, USA, 2000.
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27
Publishers, Harper Collins. A Reader's Guide to Their Eyes Were Watching God: Zora Neale Hurston (HarperCollins Reader's Guide). Harper Perennial, 1997.
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28
Gale, Cengage Learning. A Study Guide for Zora Neale Hurston's Their Eyes Were Watching God. Gale, Study Guides, 2017.
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29
Approaches to teaching Hurston's Their eyes were watching God and other works. New York: Modern Language Association of America, 2009.
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30
1945-, Lowe John, ed. Approaches to teaching Hurston's Their eyes were watching God and other works. New York: Modern Language Association of America, 2009.
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31
Wiener, Gary. Women's Issues in Zora Neale Hurston's Their Eyes Were Watching God (Social Issues in Literature). Greenhaven Press, 2012.
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32
Wiener, Gary. Women's Issues in Zora Neale Hurston's Their Eyes Were Watching God (Social Issues in Literature). Greenhaven Press, 2012.
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33
Three Classic Works by Zora Neale Hurston: Their Eyes Were Watching God, Dust Tracks on a Road, Mules and Men. Perennial, 1991.
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34
Books, Worth. Summary and Analysis of Their Eyes Were Watching God: Based on the Book by Zorah Neale Hurston. Worth Books, 2017.
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35
Lester, Neal. Understanding Zora Neale Hurston's Their Eyes Were Watching God: A Student Casebook to Issues, Sources, and Historical Documents. ABC-CLIO, LLC, 1999.
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36
Understanding Zora Neale Hurston's Their Eyes Were Watching God Online: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series--ON LINE). GEM Online, 2000.
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37
Wall, Sonya. The quest for self in Zora Neale Hurston's Their eyes were watching God, Toni Morrison's Sula, and Gayl Jones' Corregidora. 1987.
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38
Johnson, Yvonne. The Voices of African American Women: The Use of Narrative and Authorial Voice in the Works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker (American ... Studies Series Xxiv, American Literature). Peter Lang Publishing, 1999.
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39
Lemke, Sieglinde. Vernacular Matters of American Literature. Palgrave Macmillan, 2009.
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40
Mitchell, Koritha. From Slave Cabins to the White House. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043321.001.0001.
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This book argues for a new reading practice. Rather than approach art and literature from marginalized groups as examples of protest or as responses to “dominant” culture, it demonstrates the power of reading through the lens of achievement, using case studies from black expressive culture. Even while bombarded with racist and sexist violence, African Americans remain focused on defining, redefining, and pursuing success. By examining canonical examples of black women’s cultural production, this study reveals how African Americans keep each other oriented toward accomplishment through an ongoing, multivalent community conversation. Analyzing widely taught and discussed works from the 1860s to the present (via Michelle Obama’s public persona), the book traces “homemade citizenship”—the result of practices of making-oneself-at-home, practices of affirming oneself while knowing violence will answer one’s achievements and assertions of belonging. The texts examined include Harriet Jacobs’s Incidents in the Life of a Slave Girl (1861), Elizabeth Keckley’s Behind the Scenes; Or, Thirty Years a Slave and Four Years in the White House (1868), Frances E. W. Harper’s Iola Leroy (1892), Pauline Hopkins’s Contending Forces (1900), Nella Larsen’s Quicksand (1928), Zora Neale Hurston’s Their Eyes Were Watching God (1937), Lorraine Hansberry’s A Raisin in the Sun (1959), Alice Childress’s Wine in the Wilderness (1969), Octavia Butler’s Kindred (1979), Toni Morrison’s Beloved (1987), and Michelle Obama’s first lady persona. [220 of 225 words]
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